rule 110
Watercolour and pencil on paper, desk, chair, brushes, performance.
shown/performed at Inverleith House, Royal Botanic Gardens, Edinburgh, Scotland.
February 2009
This drawing and performance piece makes connections between the obsessive behaviour of scientists and artists. The drawing follows a simple mathematical algorithm used in theoretical botany, in which structures grow and interact, creating complex behaviour. The work alludes to the contribution each small unit makes to a larger field.