Sunlight, passive ventilation system, space blanket, magnets.
A lightweight blanket made of polyurethane film with a thin coating of aluminium is draped over the fresh air outlet of a passive ventilation system. As air flows into the space, the blanket rises and falls, picking up varying reflections from inside and outside the space, and making visible this commonplace but subtle phenomenon.
Hand-made colour slides, mixed media and audio performance.
projection approximately 5 x 3m
performed for the Ascension Cinema Festival, St Kevin’s Arcade, Auckland, New Zealand.
The culmination of a series of three projector works, combining direct colour slide techniques and an audio piece with performance. Auroral Anomaly recreates the magical atmospheric field of an aurora. The audio evokes an environment that is warm and enchanting yet also detailed, blustery and crystalline.
Slide projectors, hand-made colour slides, electronics and mixed media.
1.8 x 2.6 x 1.4m approx.
shown at rm103 gallery, Auckland, New Zealand.
Suggestive of a mass of particles, explosions, orbits and gravitational arcs, this work was a development from earlier three projector works, using direct colour slides as the source for its atmospheric effects. The title makes a light-hearted reference to Laszlo Moholy-Nagy’s Light-Space Modulator while creating a work more playful and whimsical than its antecedent.
Mixed media/digital video.
first published in The Pander, August 2000
shown in Viewfinder, Auckland Public Library/New Zealand Film Archive.
April – May 2006
now in the collection of the New Zealand Film Archive.
The first really good thing I ever made. Its 13 second duration the result of two intense weeks; learning digital modelling and animation software, rendering, planning, filming and re-editing. The project interrogates authorship, minimalism and decay in relation to architectural and moving image production.
Slide projectors, timers, electronics and mixed media.
2.5 x 3.2 x 1.9m approx.
shown at High Street Project gallery, Christchurch, New Zealand.
This piece occupies a space between the still and moving image. Projections are reflected off rotating mirrored surfaces and diffused across a wall surface, transforming each image into a slowly orbiting field of its constituent parts.
This project references the organization of “bottom-up” systems; the original still image becomes the seed for the generation of a pattern-field. Timers create phase relationships and a visual feedback loop locates the original images as details in the larger context of the piece.