A.ジュド6

2015-AJ6-01Competition entry with Freya Robinson, Vivienne La and Nick Rebstadt.
Acoustics consultant: Dan Griffin, textiles consultant: Lijing Wang.
Finalist RMIT Meeting Pavilions competition.

A.ジュド6 formalises ideas of meeting and collaborative production through the layering of gridded surfaces to produce moiré effects. Both creative conversation and the moiré are emergent conditions dependent on dynamic material and interpersonal relationships. The geometries of the space are developed by analysing movement, rhythm and gesture, a process inspired by ‘kata’, a Japanese term for detailed choreographic sequences. The reticulated textile suspended within the structure advocates ideas of openness and collaboration, also permitting sight-lines into the space.

paper :

interior turbulence

2012-cloud_sound-04

‘Interior Turbulence and the Thresholding of Atmospheres’, my paper on the installation project Cloud Sound has been published in the Interstices issue ‘Atmospheres and Affect’ edited by Andrew Douglas. The full paper is available here.

Abstract: Turbulence, understood as a disruptive process of coming together, offers a productive metaphor for making sense of the complex dynamics involved in the formation and design of atmospheres. This paper extends the idea of turbulence to spatial, material, experiential and disciplinary registers, and examines the varied and sometimes contradictory forces that exist between them, with reference to an architectural installation project, Cloud Sound.

An understanding of atmospheres as always in negotiation across a region of turbulence, rather than a static well-defined boundary, is developed. Cloud Sound sustains this uncertainty by keeping things unfixed and in play, part of an active process that I call thresholding. This concept is supported by a discussion of the ambiguity of atmospheres and how they disrupt distinctions between organisms and their environments, something that has implications for expanded disciplinary practises.

INDEX 2014

2014-INDEX-05

INDEX, the RMIT Interior Design graduate exhibition, celebrated the work of the program’s graduating students with an opening event and exhibition in the Weylandts furniture warehouse in Abbotsford. The event is the culmination of a year of hard work planning, fundraising, designing and making by the graduating class and their tutors. I coordinated the year’s activites and was lucky enough to work with Pandarosa who took care of the identity, publication and environmental graphics, as well as with Rob Sowter, Nick Visser, Linda Hum and Rohan Bevan who greatly assisted the student group with the exhibition build.

All photos by Georgina Matherson.

opening : THISNESS group exhibition

THISNESS EXHIBITION INVITATIONI have a new piece of work developed in collaboration with Jeff Hannam in an exhibition at BUS projects at 25-31 Rokeby Street in Collingwood. The exhibition opens on Wednesday 9 April from 6-8pm, and then runs until 26 April 2014.

“THISNESS is an exhibition by a group of artists and designers who are engaged in the theoretical investigation of spatial practice. The exhibition explores the concept of ‘haecceity’ through the presentation of works that express the essential quality of their nature through the fashioning of their materiality/immateriality. The pieces displayed interrogate the defining properties of the perception of the material world and challenge the audience’s relationship with the physical and the spatial. In doing so, the works seek to evoke a visceral encounter and provoke a heightened sensibility in the viewer/experiencer. The works in the exhibition range from a variety of approaches and disciplines; from drawing, photography, objects, sculpture, installation and sensorial environments. The exhibition as a whole seeks to highlight compelling approaches toward the manipulation of the physical and in doing so contend the actions and perceptions that constitute contemporary spatial art and design.”

Works by Suzie Attiwill, James Carey, Chris Cottrell and Jeff Hannam, Anthony Fryatt and Roger Kemp, Leah Heiss, Ross McLeod, Caroline Vains and Phoebe Whitman.

More details available on the BUS projects website.

INDEX 2013

2013-INDEX-08

INDEX, the RMIT Interior Design graduate exhibition opened last night, after a year of hard work planning, fundraising, designing and making by the graduating class and their tutors. Many thanks to Pandarosa for another amazing job on the identity, publication and environmental graphics, and to Rob Sowter and Rohan Bevan for their help onsite with the exhibition build.

building movements #4 (bhubble)

building movements #3-1Polythene sheets, fan.
4.2 x 1.8 x 2.4m

A pressurised, inflatable room directly adjoining a lift in the RMIT Design Hub. When the lift doors open, the change in pressure causes the space to slightly deflate. As the doors close it re-inflates to its maximum dimensions over a period of approximately 10 seconds. The room is patterned with translucent circles, a direct reference to the facade of the building in which it is sited.

with Scott Andrew Elliott, Olivia Pintos Lopez and Katherine Brown, Daniel Vito Colaneri, Leanne Failla, Stephanie Gleeson, Frances Gordon, Ben Warren, Freya Robinson, Jack Ryan and Jaime Vella.

building movements #3 (strips)

building movements #4-1
4200 strips of magnetic tape.
1.9 x 1.6 x 2.4m

On exiting the lift, one’s head and shoulders are immersed in a dense field of black, glossy, lightweight, threads that form a rectilinear volume equal to the lift interior. These move in relation to the slightest movement of air, being drawn towards your body during an inhalation, and pushed away by exhalations or other air movements.

with Scott Andrew Elliott, Olivia Pintos Lopez and Katherine Brown, Daniel Vito Colaneri, Leanne Failla, Stephanie Gleeson, Frances Gordon, Ben Warren, Freya Robinson, Jack Ryan and Jaime Vella.

 

building movements #2 (box)

building movements #2-3Perforated metal sheet, aluminium angle and mixed media.
2.5 x 2.0 x 2.4m

A perforated metal box the same dimensions of the lift interior blocks a straightforward exit from the lift. Building users are invited to physically push this box (which is housed inside a second perforated metal box) in order to open up a narrow exit corridor. This physical relationship inverts the passive user— active building dynamic present within the lift interior, and the process of moving these perforated screens creates a series of moiré effects which are seen against the gridded circle pattern of the building facade.

with Scott Andrew Elliott, Olivia Pintos Lopez and Katherine Brown, Daniel Vito Colaneri, Leanne Failla, Stephanie Gleeson, Frances Gordon, Ben Warren, Freya Robinson, Jack Ryan and Jaime Vella.

teaching workshop : affective envrionments

AE poster
In this intensive workshop elective students will take part in the construction of an installation project at the Design Hub developed by Chris Cottrell (RMIT), Scott Andrew Elliott (Aalto University, Finland) and Olivia Pintos-Lopez (RMIT).The course will begin with an introduction to a series of experimental art–architecture spatial practices and ways in which the construction of environments can test and probe relationships between the body and architecture.

Students will participate with the building process in creating an experimental installation, sourcing found materials, learning and developing techniques of making, engaging in team work, experiencing the challenges of collaborative, open-ended exploratory process first-hand, developing techniques for careful and intensive documentation of a process, and learning about research through the practice of making.

This course focuses on developing critical design practice by constructing experimental spaces, particularly in getting to know the hands-on practical skills for realizing a medium/large-scale collaborative project, and how this process of construction and its documentation can become integral to a research enquiry.