with fluidity

Two-channel audio walk
14 minutes 07s

Artists’ book
12 pages, 129mm x 181mm, plus double sided A3 fold-out poster
Designed and printed on risograph by Alice Bush at Ilam Press

Project launched Sunday July 12, 2015
Supported by The Physics Room.

With Fluidity is a project with Susie Pratt that consists of two parts: an audio walk and an artists’ book, which examine the tensions between Ōtākaro/Avon River as a founding icon of Christchurch city, and as a major contributor to the city’s destruction through earthquake induced liquefaction. The project takes the constantly shifting flows of Ōtākaro/Avon River as a model to propose alternative ways of thinking about and inhabiting the city.

The audio walk invites participants to be guided along the river while listening to audio that includes found sounds, manipulated sounds and fragments of spoken text. The artists’ book poses a series of questions, “How do the river and the city choreograph each other? What turns is the city making?” and responds to these through a visual essay.

A.ジュド6

2015-AJ6-01Competition entry with Freya Robinson, Vivienne La and Nick Rebstadt.
Acoustics consultant: Dan Griffin, textiles consultant: Lijing Wang.
Finalist RMIT Meeting Pavilions competition.

A.ジュド6 formalises ideas of meeting and collaborative production through the layering of gridded surfaces to produce moiré effects. Both creative conversation and the moiré are emergent conditions dependent on dynamic material and interpersonal relationships. The geometries of the space are developed by analysing movement, rhythm and gesture, a process inspired by ‘kata’, a Japanese term for detailed choreographic sequences. The reticulated textile suspended within the structure advocates ideas of openness and collaboration, also permitting sight-lines into the space.

material conversation : avoca

2014-avoca-01

While at a recent research workshop hosted by Lyndall Jones at the Avoca Project, Mick Douglas, Scott Andrew Elliott and I took some time to attune to the qualities of things around, some brought, some found. We improvised and played with material relationships based on qualities present and anticipated. A short film was recorded by a digital camera precariously suspended from a tree branch. Edited video coming soon.

INDEX 2014

2014-INDEX-05

INDEX, the RMIT Interior Design graduate exhibition, celebrated the work of the program’s graduating students with an opening event and exhibition in the Weylandts furniture warehouse in Abbotsford. The event is the culmination of a year of hard work planning, fundraising, designing and making by the graduating class and their tutors. I coordinated the year’s activites and was lucky enough to work with Pandarosa who took care of the identity, publication and environmental graphics, as well as with Rob Sowter, Nick Visser, Linda Hum and Rohan Bevan who greatly assisted the student group with the exhibition build.

All photos by Georgina Matherson.

writing—between

Collaborative writing project with Scott Andrew Elliott.
Ongoing.

With this experimental writing project we are trying to write between, and around, and extend, an idea of tentativeness, and develop this experience through writing and reading. We are doing this by writing together, either simultaneously into the same document, or cutting and editing two separate texts together using a variety of strategies. These texts are then re-worked and re-edited to draw out new and unexpected concepts, and to creatively generate uncertainty.

breathing. space. no. 10: immediations workshop

Over the ANZAC weekend, Australasian members of the Immediations research project gathered together in Melbourne for three days of experimentation and discussion. Knotty problems such as “How to amplify and expand in order to slow down?” and “How to pass on an act of listening?” were workshopped through practical experimentation and improvisation.

Photographs and video by Georgina Matherson.

breath clouds

2014-breath_clouds-01Electronics, software, air and breath. Visualisation programming by Jeff Hannam.
Exhibited in the group show THISNESS.
BUS Projects, Melbourne.
April 9 – 26, 2014

Inspired by the experience of exhalations being made visible in the cold, dry, wintertime air before dissipating into the wider atmosphere, this project uses breath as a way to understand the reciprocal relationships present in the making of oneself through and with the environment. Breath Clouds makes perceptible flows and exchanges of energy, using aural and visual responses to set up feedback loops between our individual presence and the atmosphere of the gallery space.

Thanks to Tony for the photos.

building movements #4 (bhubble)

building movements #3-1Polythene sheets, fan.
4.2 x 1.8 x 2.4m

A pressurised, inflatable room directly adjoining a lift in the RMIT Design Hub. When the lift doors open, the change in pressure causes the space to slightly deflate. As the doors close it re-inflates to its maximum dimensions over a period of approximately 10 seconds. The room is patterned with translucent circles, a direct reference to the facade of the building in which it is sited.

with Scott Andrew Elliott, Olivia Pintos Lopez and Katherine Brown, Daniel Vito Colaneri, Leanne Failla, Stephanie Gleeson, Frances Gordon, Ben Warren, Freya Robinson, Jack Ryan and Jaime Vella.

building movements #3 (strips)

building movements #4-1
4200 strips of magnetic tape.
1.9 x 1.6 x 2.4m

On exiting the lift, one’s head and shoulders are immersed in a dense field of black, glossy, lightweight, threads that form a rectilinear volume equal to the lift interior. These move in relation to the slightest movement of air, being drawn towards your body during an inhalation, and pushed away by exhalations or other air movements.

with Scott Andrew Elliott, Olivia Pintos Lopez and Katherine Brown, Daniel Vito Colaneri, Leanne Failla, Stephanie Gleeson, Frances Gordon, Ben Warren, Freya Robinson, Jack Ryan and Jaime Vella.

 

building movements #2 (box)

building movements #2-3Perforated metal sheet, aluminium angle and mixed media.
2.5 x 2.0 x 2.4m

A perforated metal box the same dimensions of the lift interior blocks a straightforward exit from the lift. Building users are invited to physically push this box (which is housed inside a second perforated metal box) in order to open up a narrow exit corridor. This physical relationship inverts the passive user— active building dynamic present within the lift interior, and the process of moving these perforated screens creates a series of moiré effects which are seen against the gridded circle pattern of the building facade.

with Scott Andrew Elliott, Olivia Pintos Lopez and Katherine Brown, Daniel Vito Colaneri, Leanne Failla, Stephanie Gleeson, Frances Gordon, Ben Warren, Freya Robinson, Jack Ryan and Jaime Vella.